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These earrings are a sort of modification of the design presented in this entry. In the version above I have a larger bead cap and only have one tier. Decided to have the two dangling amethyst drops hanging from sterling chain to give the earrings more length. Then I antiqued the silver, not unlike the original ones.



I'm probably throwing names around but they just reminded me of an Art Deco-ish lamp.Our Cassandra was so taken with them that she wanted a pair done in peridot. Those are now done but waiting to be antiqued. I'll post them on here (at some point).

I am gearing up for the busy craft show season, even though mine will be somewhat cut short by the husband-planned three-week trip to New England (where I intend on introducing myself to some Boston Craft Mafia peeps).

I haven't taken classes in a while and I miss that but there are a lot of new things that I learned in a short period of time that I haven't used. I need to re-acquaint myself with these skills and put them into use.

Go me :)
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In the weeks leading up to the 50 Foot Wave/Mission of Burma show at the Crocodile Cafe in Seattle, [info]the_paddy was musing about sharing Newport, Rhode Island-isms with 50 Foot Wave frontwoman/guitarist Kristin Hersh (yep, she of Throwing Muses fame). Kristin spent her formative years in Newport and she and John (and especially John's cousin, also named John) knew a lot of the same people.

John suggested I make Kristin a pair of earrings, something "watery" to remind her of Newport. Well, why not? I guess it could be a way of thanking her for 1994's Hips & Makers ;)

Well, here's the result (although not a very good picture of it):

Ohhhhhhhhhhhhhhhh and watery is probably a good description of my favourite colour scheme :)))) That's a nice fat green fluorite rondel wire-wrapped by fine gauge sterling silver, dropping down to a cluster of iolite (also called "water sapphire") coins attached to a length of cable chain which ends with a teardrop-shaped peacock pearl. I ended up using the design (with varying colours and stones) a few times in production since.

I ended up meeting Kristin and her band but John didn't (this time). She was surprised that I had made her a pair of earrings and seemed delighted. I hope she wears them in good health :)

I am feeling:
pleased pleased
Listening to:
50 Foot Wave - Your Ghost
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So I have been very very busy. I am now a member of the Seattle Craft Mafia and am getting involved with IHR and Urban Craft Uprising and the events they put on. As part of my duties as Capa Bastone, I am maintaining [info]seacraftmafiaas well as the private forum we have. I did my first show on 16th September when IHR provided vending outside the Broadway Performance Hall in Seattle for the Decibel Festival. Here's my table from that show - taken by my phone so the quality's not all that good:

It was interesting for a first show as it wasn't all that busy for anyone but it was still a good place for a humble first time. I got to get to know the people around me, people I will be seeing at future shows, esp UCU and IHR events. Cassandra and [info]spitkittenhad a bit of a pickle in the morning because there weren't the amount of tents the festival organisers had promised. Cassandra called in a few favours (because she's a respected member of the community) and VOILA we almost had more than we needed :) [info]spitkittenand Cassandra really work well together (and everyone else) and I'm glad they're co-running IHR :) They actually gave up vending that day to help out everyone else :)

(I did not get to fully document all of my inventory before the show so I just made sure I took pictures of everything so I'd know what I was talking about when I'd look at the books later. I did written inventory of what I had on the table. I plan on doing the rest soonish, before IHR in October. Anyhoo, so the following pictures are not of the best quality but they're not necessarily supposed to be.)

Here are the items I sold:

These earrings are pretty simple. It's good to have simple and elegant items because not everyone wants to wear complex pieces everyday. I know my mood switches. So that's a Bali silver earwire that has kind of a three-leaf clover design on it with a small white round pearl hanging off it and a montana blue swarovski crystal bicone beneath. $15.

This bracelet features these neat Bali Silver beads that I want to call "basketweave" but they're more like a patterned vase shape. I've got red garnet heishe (disk) beads and rustic green garnet rondels sandwiched by evergreen coloured button pearls. Strung on soft-flex wire and finished off with sterling silver (of course!) components. $20.

This one was such a charmer that I have since remade it adding antiqued bali silver cornerless cubes. I need to show my Litvak by featuring more amber. This bracelet is made of cognac amber, dark green pearls and faceted green tourmaline. $25.

My next show is IHR (aka I Heart Rummage) on Sunday, October 1st. Seattle Craft Mafia is actually the special guest and we're representin' at a table near the front door. The promise of the Crocodile's Sunday Brunch may even bring [info]the_paddyout to Belltown! Ging!

I need to post more often - I plan on it. I have lost the password to [info]paddylitvakso I'm going to have to buy the name back (as there's been no activity so it's pretty much a dead account). I will re-create it as a selling journal with links to this one (whose name I will change, not sure to what as of yet) as an online gallery/blog, which is what it already is. I tried to make a nice website and even found some free tools but it was too much of a pain and Comcast doesn't like my etsy store link (it forwards the customer to the Etsy storefront instead). So LJ it is for now. Or for soon ;)

Listening to:
Goldfrapp - Lovely Head
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This is a bracelet I made as a "thank you" gift for [info]comraderadmila's mom. She has been studying up on gems and is particularly entranced by the rare and vibrant tsavorite garnet.



Because tsavorite garnets are relatively rare they're pretty darn expensive. I was lucky enough to get a strand of the small, high quality faceted gems at wholesale. I matched them up with some iolite rondelles and pearls and added some bali silver into the mix for some extra flash.

I also started up my etsy shop - paddylitvak.etsy.com which is also linked on www.paddylitvak.com. Admittedly, I'm having a little trouble with the pictures after they've uploaded to the site but I'll figure it out. I'm adding items every week and advertising on various LJ communities. I'm also planning on joining the Seattle Craft Mafia at their July 22nd meeting.

Here we go!
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This necklace was inspired by those part-pearl, part-braided pastel leather necklaces.



Between where the moonstone rounds and faceted pearls are strung I chose "stations" of garnet heishe surrounded by bali silver and accented with rose quartz buttons. There are also bali silver spacers between some of the pearls.



The earrings feature a cascade of moonstone and garnet coins with a faceted pearl peeking from the bottom. (Yes, those are handmade sterling earwires.)
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I wanted to title this entry "somewhat randomness" but that would clash with the themes of the previous titles.

Sometimes I just get an idea for something I wouldn't necessarily wear myself but that I feel needs to be created. I think this is what happened here.

I love how the opaqueness of the aquamarine nuggets matches that of the snow quartz cubes.

And how the fire of the citrine ends up actually complementing the two "colder" stones.

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This is the bracelet I alluded to in previous posts - the one Mrs. Booger tried to steal ;) It's the new twist on wire only without the leaves. I think I want to try to make a necklace in the same fashion as well but probably with the pearl/garnet/peridot theme. DEFINITELY want to make more bracelets in this theme but next one will probably feature antiqued silver.



I used plain aquamarine teardrops and ittybitty peacock pearls with silver wire and silver chain, with two peacock pearls to finish it off before the toggle clasp. It's a little delicate but it just dances about the wrist in such a happy fashion :)
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After seeing some of the necklaces I'd made Mrs. Booger, her aunt wanted one made for her birthday. She wanted me to use this as a reference but with a more golden/purple/garnet theme and with garnets on silver links instead of strung pearls.

Of course, I told Booger it would NOT be $178 :)

So I put this lovely together:

Garnet buttons on sterling silver links with a pendant made of sterling chain, sterling wire, and briolettes.

From left to right: tourmaline, faceted garnet, faceted iolite, faceted golden fluorite, tanzanite, faceted garnet, and tourmaline.

Kimberlee LOVES her necklace and now wants matching earrings. Unfortunately this poses a bit of a challenge as I don't have any matching golden fluorite briolettes so it looks like it's going to be iolite and garnet.

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Here's one of my favourite pieces. It's made from cherry amber rounds, faceted iolite buttons, and dove blue pearls.



The pendant is Tara Brisbine-inspired and made from hammered 20 gauge silver wire. Those are cherry amber rounds, iolite ovals, a cherry amber oval, and bali silver headpins with a flat-backed dove blue pearl wired to the pendant itself.




Of course I had to make a bracelet to match :)



No matter how many stringed pieces I do I will never fall out of love with the wonder of wireworking. Rosary links will always tug at my heart :)
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Sometimes simplicity can be amazingly beautiful.

I finally have a source for great fluorite beads - even the elusive blue fluorite. This bracelet is made from blue fluorite buttons and faceted iolite ovals.

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One cannot underestimate the power of a well-placed display cabinet where bead addicts can match up the styles and techniques with the name of the class in the newsletter. If it weren't for such a display cabinet in my beloved Beads & Beyond (no, they don't have a website) I never would have taken this class.

These are the first beauties I made and, as I do once in a blue moon, I actually ANTIQUED the fine silver wire! *shock horror*

These are made with faceted aquamarine marquises for the blossom, tiny pink tourmaline for the berries, and green tourmaline ovals for the leaves. Note the little tendril :)

Here are some more blossoms I've made )

Of course, to challenge, the instructor also taught how to do the multiple blossom dangles. The ones above are rainbow moonstone faceted briolettes with garnet berries and peridot coin leaves. I found these to be difficult to do and although they were supposedly easier with pear briolettes I have so far found that they don't look as nice and, actually, I had a harder time with the pear ones. I may post a picture of an ill-fated necklace that utilised a trio of peruvian opal pear briolettes as a blossom with the rest of the necklace but I may not because I think I'm going to modify the pendant as it's too.... busy. In short, the triple blossoms made with the briolettes are a pain but turn out much nicer than the triple blossoms made with pear briolettes.

We also learned how to make vine components (for necklaces, bracelets, even earrings). The one above is made from faceted oval aquamarine leaves with tiny green tourmaline berries and pink pearl buds. This is a technique I haven't been doing ad nauseaum but I'd like to because the result would be STUNNING on a chain-and-bead necklace. (Hmmm, another project for the near future)

I have since made a dangle bracelet with aquamarine teardrop blossoms topped with peacock pearl berries (yeah, I had to go back and get three more strands of those sweet little peacock pearls) and I do like it (although have yet to upload the pictures - DOH!) but I'm thinking I should antique it. I did finally obtain some nice smelly liver of sulphur and recently got a nice big order of silver wire from Rio Grande so I think some antiquing is in the near future :) I am off work through the end of the month so I believe I'll be able to get on with my crafty self to my heart's content :)

I am feeling:
pleased pleased
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I am becoming more comfortable with this whole stringing thing - now I just have to take better pictures.

 

The strand of top-drilled pearls I bought (with the idea to basket-weave and/or make clover components) were begging to be in a strung necklace.  I caved in and recruited some delicate pink tourmaline buttons and faceted flashy rainbow moonstone rondels.

 

 

Gotta have matching earrings, right?  That Jennifer style I do is so freaking versatile.

 

    

 

I am becoming more comfortable with wire-wrapping to make links instead of/in addition to the plain rosary links.  Fine silver (or any dead soft wire) demands the wire-wrapping.  Ditto for fine gauge wire.

 

 

 

 

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That's green and purple fluorite beads with iridescent medium grey peacock pearls. Not the best lighting but delicious nonetheless.



You lot should all know by now that I hold a special place in my heart for fluorite. It is wonderfully cool to the touch and comes in wonderful, sometimes intertwining, colours of blue and purple and green as well as the most gorgeous slightly-coloured clear. The inclusions refract light in such a dazzling fashion. It's no wonder I couldn't resist when I came upon the strands of fluorite shou beads!

I am feeling:
pleased pleased
Listening to:
Koop
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Listening to:
McAlmont & Butler - Falling
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</p>
I know I haven't mentioned her by name but out of all of the instructors I've taken classes from I have been the most inspired by Tara Brisbine. Tara used to work at Beads & Beyond (the quintessential bead store in Bellevue) but has since moved to Orcas Island in the San Juans. She does come back to Beads & Beyond to teach a long weekend of classes at least once a year and also to do some trunk shows in/around Seattle. She doesn't have a website (I did mention LiveJournal to her and showed her a bit of this journal via my Sidekick but didn't give her as much information as I should have - next time) but she let me take a couple of pictures of her gorgeous work when I took her class a few weeks ago:
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The above collage is made from two pictures taken via my Sidekick so the quality isn't so great but you still get a good idea of Tara's fabulous work. In fact, if you look back in this journal and compare to the above picture you'll see how I was inspired by Tara when I made this necklace's hammered silver pendant, the the clover and flower pendants from these necklaces, and this pink opal/labradorite pendant. I did just finish another Tara-inspired piece last night made of iolite, dove blue pearl, and cherry amber that boasts a hammered silver wire pendant with a dove blue pearl adornment and iolite and cherry amber dangles.

In the class I took a few weeks ago I learned how to basket weave wire around focus beads, briolettes, teardrops, and top-drilled beads. Again, in the above picture, you can see the basket weave work Tara does. Here's an example of the basket weaving I've done so far:
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Three amazonite briolettes, a green fluorite briolette that was used to complete a pendant of a sodalite and aventurine necklace, and a set of sapphire-coloured swarovski crystal teardrops. I did the crystal teardrops first and realised that 26 gauge wasn't going to work quite so well for the weaving so I started using 28 gauge which made the weaving tighter.
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I have a lot of practicing to do. I am far from perfecting this method but I plan on using it a lot in the future.
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I am feeling:
chipper chipper
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</p>
Strangely enough, I was inspired to do this necklace (and matching bracelet) after I started stringing.
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Those are luscious faceted rubies sandwiching aquamarine rondelles and interspersed with links of dove blue pearls. I apologise for the lack of light in the above picture.
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The focal bead in the pendant is faceted aquamarine accented with bali and sterling silver beads and a dove blue pearl.
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The dangles contain sterling silver beads, faceted rubies, large and small aquamarine rondelles, and an iridescent silver seed pearl.
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I am feeling:
well chuffed well chuffed
Listening to:
The Specials - A Message To You Rudy
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&lt;/p>

</p>
Dangly earrings of amber that range from lightest lemon to honey and cognac to finally end in a graduated rich cherry.
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I so need to stock up on amber and thoroughly represent the Litvak in Paddy Litvak!
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I am feeling:
pleased pleased
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What I learned on Saturday )

perhaps the most important thing I learned was to NEVER slipknot the soft-flex if you need to put the unfinished necklace away.

</p>

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Mmmmmmmmmmmmm, kinky!
</p>
I do plan on restringing the necklace and using part of the non-kinked wire for a bracelet.

Unfortunately, it's hard to see the colours I used unless you look up close:

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That's pale gold pearls, garnet rounds, and faceted green tourmalines. Sounds better in theory. Looks relatively dull to me :\ The instructor did say that adding metal or a yellow colour to a piece will keep it from looking dull. I guess that's why my previous work always "shines" - it ALWAYS has metal showing!

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So I decided to make another one with a melange of colours that I adore:
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Moonstone rounds with iolite rounds and faceted peridot rondelles and tiny silver seed pearls :))))))))))))

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</p>
Reminds me of something I'd see in a J. Jill catalog.
</p>
Still kinda dull, though. Maybe I'll add a pendant or something. I needed to make something more MY STYLE. In order to do that, I needed to start in the middle and work my way out on each side instead of stringing from one side to another.

</p>

Ta da!
</p>
Yes, ma'am,. THIS is more my style. That's brownish peacock pearls with faceted aquamarine rondelles and three lufferly faceted green teardrops to accent the middle :)))))

Here's the close-up of the middle on a surface:
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and here's the close-up of the middle hanging:
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</p>
YES! Something that's "my style". As Murphy's Law would have it, of course, I ran out of pearls before I was able to finish it to 18" so it's more like 16". Ah well, it'll be good for someone with a smaller neck than mine ;)

I am not going to use stringing INSTEAD of wire working. I never planned on it. There are just some designs I have in my head that will look better strung than on wire. The one I talked about previously with the onyx and the amber will probably look better strung than on wire. I can also experiment with more things that wouldn't look right (to me) on wire - like big silver and/or marcasite beads :)))))) I look forward to this!!!! I've been afraid of getting marcasite beads b/c of the cost but I can make up for it in labour AND it'll be a relatively expensive piece anyhoo - ESP if that's what I do when I FINALLY make a 72" lariat :)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

Oooooooooooooooo getting toooo excited now ;) I wonder what the inspiration and creativity will spawn in days to come :) Last night I made a fluorite and amethyst necklace and I made a few necklaces tonight as well (I still need to get the, erm, hang of how beads hang on soft-flex) but I'll post that maybe next time.

</p>
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&lt;/p>
I finished these earrings yesterday:
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I didn't know what I thought of them after I made them but I think I like them now. Mrs. Booger gave me some catalog clippings and I modeled these after a pair I saw in them. These are iolite and pearl with green fluorite faceted teardrops - the originals have gold chain and findings and blue chalcedony faceted briolettes.
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This might be the only time I make these as I'm learning the basket weave technique of wrapping briolettes in two weeks. I'm going to assume that I'll like that technique well enough to use it in almost all of my future briolette/top drilled encounters :)

Tomorrow I finally learn about stringing. Yes, stringing. All my work up until now has been some sort of silver wirework. This will add a new dimension. I have LOADS of tiny lovely beads just ITCHING to be used in this way. I hope to post more this weekend.
</p>

I am feeling:
inspired inspired
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What can one say about the beauty and simplicity of cathedral beads...



</p>
When I first started making jewelry I only wanted to use silver wire and semi-precious stones. Then I discovered cathedral beads. *drool* There is just a natural attraction to glass and its visual properties. The way it sparkles, the way it reflects.
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I plan on eventually working with it via lampwork torch, of course :)))) But the cathedral beads in their regal elegance will always be a favourite of mine and you will always be able to find them in my works :)
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